Purpose, Accessibility and Universal Design for Learning


Reflective teaching portfolio banner representing purpose, accessibility and UDL

Acknowledgements

This portfolio would not have been possible without the guidance, encouragement, and support of several educators who have influenced my development throughout the Postgraduate Certificate in Learning, Teaching and Assessment in Higher Education.

I would like to express my sincere gratitude to Dr. Angélica Risquez and Dr. Michael Wride for their expertise, encouragement, and support throughout the development of this teaching portfolio. Their commitment to reflective practice, inclusive education, and professional growth challenged me to critically examine my teaching and helped me recognise the value of evidence-informed practice. I would also like to thank Dr. Íde O' Sullivan for her guidance and support in curriculum design and assessment. Her insights into constructive alignment, learner-centred design, and educational planning significantly influenced my approach to curriculum development and assessment design. I am also deeply grateful to my family for their patience, encouragement, and support throughout this journey. Their belief in me gave me the strength to continue working, studying, reflecting, and developing my professional practice, even during demanding periods. Their support has been an important part of this achievement. The knowledge, feedback, and encouragement provided by my lecturers, colleagues, learners, and family have played an important role in shaping my growth as a teacher, learning designer, and reflective practitioner. This portfolio is, in many ways, a reflection of the learning journey they helped to support.





The Purpose of This Teaching Portfolio

This teaching portfolio was developed as part of my Postgraduate Certificate in Learning, Teaching and Assessment in Higher Education. However, its purpose extends beyond a programme requirement. It represents a reflective record of my development as an educator, learning experience designer, and practitioner committed to inclusive, evidence-informed, and learner-centred teaching.

The portfolio brings together examples of curriculum design, assessment innovation, professional development, reflective practice, learner feedback, Scholarship of Teaching and Learning, and creative digital education. Rather than simply presenting evidence, it aims to make visible the values, decisions, and pedagogical principles that shape my teaching practice.

Through this portfolio, I wanted to demonstrate not only what I have done, but also what I have learned, how my practice has changed, and how I continue to develop as an educator. It is both a professional showcase and a reflective learning space.

The Evolution of the Portfolio

The original purpose of this portfolio was very different from what it has become today. It began several years ago as a professional space to showcase my work as a graphic designer. At that stage, the portfolio focused mainly on visual communication, branding, layout design, typography, and creative project work.

As my professional practice developed, the portfolio quickly expanded beyond graphic design. My work began to include web design, web development, multimedia production, video editing, eLearning design, and interactive digital resources. Rather than separating these areas into different portfolios, I allowed the website to grow with my career and reflect the different stages of my professional journey.

For this reason, some of the later pages of the portfolio include earlier examples of graphic design, web development, web design, and video editing work. These artefacts remain important because they show the creative and technical foundations that shaped my later development as an educator and learning experience designer. They also demonstrate how my design background continues to inform the way I create learning materials, structure digital content, and think about accessibility, visual communication, and user experience.

Over time, the portfolio evolved from a showcase of completed creative projects into a reflective teaching portfolio. It now brings together evidence of curriculum design, assessment innovation, professional development, learner feedback, inclusive practice, and Scholarship of Teaching and Learning. In many ways, the development of the portfolio mirrors my own professional transformation from graphic designer to web designer, video editor, eLearning developer, educator, and reflective practitioner.

I chose to retain selected examples from earlier stages of my career because they help tell the full story of my development. They show how my creative, technical, and educational identities are connected, and how each stage of my journey has contributed to the teacher and learning designer I am becoming.

A Portfolio Designed as a Learning Experience

As both an educator and learning experience designer, I approached this portfolio as more than a website. I designed it as a learning experience for different audiences, including lecturers, colleagues, employers, students, external reviewers, and professional communities.

My aim was to create a portfolio that is clear, accessible, engaging, and easy to navigate. The structure allows visitors to explore my teaching philosophy, assessment practice, curriculum design work, professional development, teaching effectiveness, and Scholarship of Teaching and Learning. Each page combines reflective narrative with supporting evidence so that visitors can understand both the outcome and the process behind my professional practice.

This approach reflects my belief that good educational design should support agency, clarity, accessibility, and meaningful engagement. The portfolio itself therefore became an opportunity to apply the same principles that I use when designing learning for students.

Universal Design for Learning as a Design Framework

Universal Design for Learning (UDL) informed both the content and structure of this portfolio. I used UDL principles to consider how different users might access, navigate, interpret, and engage with the material. This was particularly important because the portfolio includes a wide range of evidence, including written reflections, embedded documents, videos, images, examples of learner work, curriculum artefacts, and professional development records.

Applying UDL to the portfolio helped me think carefully about representation, engagement, action, expression, and accessibility. It also helped me recognise that inclusive design is not only something I teach or discuss in theory. It is something that should be visible in my own professional work.

UDL Principles Applied to the Portfolio


  • Multiple Means of Engagement

    The portfolio supports engagement by offering different entry points and pathways. Visitors can explore reflective pages, project examples, visual evidence, embedded documents, and case studies according to their interests and needs. This flexible structure supports autonomy and allows users to engage with the content in a meaningful way.

  • Multiple Means of Action and Expression

    The portfolio demonstrates different forms of professional expression, including reflective writing, curriculum artefacts, assessment rubrics, multimedia resources, teaching examples, and scholarly analysis. This reflects my belief that professional learning can be evidenced in diverse and meaningful ways.

  • Multiple Means of Representation

    Information is presented through written reflection, images, videos, embedded PDFs, screenshots, project artefacts, and examples of practice. This variety helps communicate complex ideas such as assessment design, curriculum development, accessibility, and reflective practice in more than one format.

  • Learner Agency and Choice

    The navigation structure allows visitors to choose how they move through the portfolio. They may follow a linear pathway or focus on specific areas such as assessment, CPD, SoTL, curriculum design, or teaching philosophy. This reflects the value I place on autonomy and purposeful engagement.


Accessibility Principles Applied to the Portfolio

Accessibility was considered throughout the design and development of this portfolio. My aim was to reduce unnecessary barriers and support a clear, inclusive, and usable experience for different audiences and devices. While accessibility is always an ongoing process, the design of this portfolio reflects a deliberate attempt to apply inclusive digital design principles.

Accessibility Features and Design Decisions


  • Responsive layouts to support access across desktop, tablet, and mobile devices.
  • Consistent navigation and page structure to help users understand where they are and what they can explore next.
  • Clear heading hierarchy to support readability and screen-reader navigation.
  • Alternative text for key images to communicate the purpose of visual content.
  • Descriptive links to help users understand where links will take them.
  • Embedded documents and supporting evidence to provide multiple ways of accessing information.
  • Use of visual hierarchy, spacing, and section headings to reduce cognitive load.
  • Consideration of colour contrast, readability, and accessible typography.
  • High-contrast design considerations to support users with different visual needs.
  • Multimedia evidence, including videos and walkthroughs, to support different forms of engagement.

Accessibility as Reflective Practice

Developing this portfolio helped me understand accessibility as both a technical responsibility and a reflective practice. It required me to think carefully about how users experience information, how content is organised, and how design decisions can either support or restrict participation.

This process also helped me connect accessibility with my wider teaching philosophy. In my teaching, I aim to design learning experiences that are inclusive, structured, flexible, and supportive. In the portfolio, I applied the same values by creating a space where evidence is presented clearly and where users can engage with content in different ways.

I recognise that accessibility is not a final checklist but an ongoing commitment. I will continue to review and improve the portfolio by considering user feedback, accessibility guidance, and emerging best practice in inclusive digital design.

Constructive Alignment Within the Portfolio

The portfolio was also designed to demonstrate constructive alignment between my teaching philosophy, professional values, evidence of practice, and reflections on impact. Each section connects to a broader narrative about who I am as an educator and how my practice has developed.

For example, my pages on assessment and teaching effectiveness demonstrate how I apply learner-centred approaches, authentic assessment, feedback literacy, and Universal Design for Learning in practice. My CPD and Scholarship of Teaching and Learning pages show how professional development, reflection, and evidence-informed inquiry continue to shape my growth. Together, these sections create a coherent picture of my teaching identity.

What I Learned Through Creating the Portfolio

Creating this portfolio was a transformative professional learning experience. It encouraged me to look closely at my teaching practice, organise evidence of impact, connect my work to educational theory, and reflect on my development over time.

One of the most important lessons was recognising that a teaching portfolio is not simply a collection of documents. It is a reflective space where practice, theory, evidence, and identity come together. Through this process, I became more aware of the values that guide my work: inclusion, creativity, accessibility, authenticity, empathy, and continuous improvement.

The portfolio also strengthened my confidence as an educator. It helped me see that my experience in graphic design, eLearning, adult education, and digital learning are not separate parts of my professional identity. Instead, they come together in my practice as a learning experience designer and reflective educator.

Conclusion

This portfolio represents both a record of professional practice and an example of inclusive learning design. By applying principles of Universal Design for Learning, accessibility, reflective practice, and evidence-informed teaching, I sought to create an experience that is accessible, meaningful, and engaging for diverse audiences.

Ultimately, the portfolio reflects my belief that effective teaching begins with understanding learner needs and designing environments where all individuals can access, participate in, and benefit from learning opportunities. It also represents my ongoing journey as an educator who is committed to growth, inclusion, creativity, and continuous improvement.


References

Biggs, J. and Tang, C. (2011) Teaching for Quality Learning at University. 4th edn. Maidenhead: Open University Press.

CAST (2024) Universal Design for Learning Guidelines version 3.0. Available at: https://udlguidelines.cast.org.

National Forum for the Enhancement of Teaching and Learning in Higher Education (2016) Professional Development Framework for All Staff Who Teach in Higher Education. Dublin: National Forum.

Schön, D.A. (1983) The Reflective Practitioner: How Professionals Think in Action. New York: Basic Books.

W3C (2023) Web Content Accessibility Guidelines (WCAG) 2.2. Available at: https://www.w3.org/TR/WCAG22/.